Benjamin’s (The Anatomy of Dreams, 2014) premise situates her novel in magical territory, but the spell doesn't quite work.
A psychic on the Lower East Side tells four children the dates they will die. Only time will tell if her predictions are accurate.
“Perhaps nothing would have happened were it not the pit of summer, with a month and a half of humid boredom behind them and a month and a half ahead….[T]his year—the summer of 1969—it seems something is happening to everyone but them.” Varya is 13, Daniel, 11, Klara, 9, and Simon, 7, the day they visit the woman on Hester Street who is said to know the future. She sees each of the siblings alone, telling each the exact date of his or her death; at first, the reader hears only Varya’s, which is far in the future. The next four sections focus on each of the siblings in turn, continuing through 2010. Simon runs off to San Francisco and becomes a dancer at a gay club called Purp; when one of his many sex partners is described as an Australian flight attendant, we, too, can predict his future. Klara, who tags along with Simon to the West Coast, studies magic and eventually takes her act to Las Vegas; she marries her stage partner and has a child. Daniel becomes a doctor in the military; Varya, a scientist doing longevity experiments with primates. Speaking of longevity experiments with primates, the book’s hypothesis about the fortuneteller’s death dates is inexplicably credulous, though suggestions of a self-fulfilling prophecy muddy the waters a bit. In any case, the siblings are an unhappy bunch, saddled not only with this unwelcome knowledge of the future but with alcoholism, depression, OCD, possible bipolar disease, and many regrets; misunderstandings and grudges divide them from each other. Various minor characters—a cop; spouses, lovers, and offspring; the fortuneteller herself—weave through the plot in a contrived way.
Benjamin’s (The Anatomy of Dreams, 2014) premise situates her novel in magical territory, but the spell doesn't quite work.Pub Date: Jan. 9, 2018
ISBN: 978-0-7352-1318-0
Page Count: 352
Publisher: Putnam
Review Posted Online: July 16, 2017
BOOK REVIEW
BOOK REVIEW
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
BOOK TO SCREEN
But John Steinbeck, the philosopher, dominates his material and brings it into sharply moral focus.
Tremendous in scope—tremendous in depth of penetration—and as different a Steinbeck as the Steinbeck of Burning Bright was from the Steinbeck of The Grapes of Wrath.
Here is no saga of the underprivileged—no drama of social significance. Tenderness, which some felt was inherent in everything Steinbeck wrote, is muted almost to the vanishing point in this story of conflict within character, impact of character on character, of circumstances on personalities, of the difficult acceptance of individual choice as against the dominance of inherited traits. The philosophy is intimately interwoven with the pace of story, as he follows-from New England to California over some fifty odd years-the two families which hold stage center. There are the Trasks, brothers in two generations, strangely linked, strangely at war the one with the other; there are the Hamiltons (John Steinbeck's own forebears), a unique Irish born couple, the man an odd lovable sort of genius who never capitalizes on his ideas for himself, the tiny wife, tart, cold-and revealing now and again unexpected gentleness of spirit, the burgeoning family, as varied a tribe as could be found. And- on the periphery but integral to the deepening philosophy which motivates the story, there is the wise Chinese servant scholar and gentleman, who submerges his own goals to identify himself wholly with the needs of the desolate Adam Trask, crushed by his soulless wife's desertion, and the twin boys, Cal, violent, moody, basically strong enough to be himself—and Aron, gentle, unwilling to face disagreeable facts, beloved by all who met him. In counterpoint, the story follows too the murky career of Adam's wife, Cathy—who came to him from a mysteriously clouded past, and returned to a role for which she was suited—as a costly whore, and later as Madame in Salinas most corrupt "house," where the perversions of sex ridden males were catered to—and cruelty capitalized upon.Shock techniques applied with rapier and not bludgeon will rule the book out for the tender-skinned.
But John Steinbeck, the philosopher, dominates his material and brings it into sharply moral focus.Pub Date: Sept. 19, 1952
ISBN: 0142004235
Page Count: 616
Publisher: Viking
Review Posted Online: Oct. 5, 2011
Kirkus Reviews Issue: Sept. 1, 1952
BOOK TO SCREEN
BOOK TO SCREEN
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