Funny, tender, and endlessly rereadable; storytime gold.
A buoyant, bouncy read-aloud featuring the world’s largest rodent and its avian friend.
A capybara and a big-eyed bird set out together, and from the beginning, the comedic tension is established: The capybara is essentially a water-loving tank; the bird is decidedly not. As the day progresses, the two take part in a series of activities—a leafy lunch, a comfortable wallow, a sunbaked rest—until the capybara’s exuberant splashing drenches its companion. The bird’s irritation is palpable, and the capybara promises not to splash its pal for a week. But when a gator zeroes in on the unsuspecting bird, all promises are cheerfully abandoned. Enter: one very large rodent, one dramatic leap, and a splash heard round the river. Harper’s text is a master class in minimalism, single words and punchy phrases ricocheting across the page like the action itself. “COMFY Capybara” gives way to “TOO HOT, Capybara!” which gives way to “SUPER SPLASH”—the rhythm builds with the inevitability of a drumroll. Onomatopoeia abounds: Pages practically drip and crash and whoosh as the capybara plunges in and out of the river. The art reinforces every beat: flat, minimal shapes in bright blue, tan, and green, with spare compositions that work adeptly with the text to balance the emotional weight: “WORMY STRUGGLE,” “DOUBLE BUBBLE,” “SCARY TROUBLE.” The final “ME AND YOU” lands with quiet, earned sweetness.
Funny, tender, and endlessly rereadable; storytime gold. (Picture book. 3-6)Pub Date: April 14, 2026
ISBN: 9781454958383
Page Count: 40
Publisher: Union Square Kids
Review Posted Online: March 23, 2026
Kirkus Reviews Issue: April 15, 2026
A hymn to the intrinsic loveliness of the wild and the possibility of sharing it.
What happens when a robot washes up alone on an island?
“Everything was just right on the island.” Brown beautifully re-creates the first days of Roz, the protagonist of his Wild Robot novels, as she adapts to living in the natural world. A storm-tossed ship, seen in the opening just before the title page, and a packing crate are the only other human-made objects to appear in this close-up look at the robot and her new home. Roz emerges from the crate, and her first thought as she sets off up a grassy hill—”This must be where I belong”—is sweetly glorious, a note of recognition rather than conquest. Roz learns to move, hide, and communicate like the creatures she meets. When she discovers an orphaned egg—and the gosling Brightbill, who eventually hatches—her decision to be his mother seems a natural extension of her adaptation. Once he flies south for the winter, her quiet wait across seasons for his return is a poignant portrayal of separation and change. Brown’s clean, precise lines and deep, light-filled colors offer a sense of what Roz might be seeing, suggesting a place that is alive yet deeply serene and radiant. Though the book stands alone, it adds an immensely appealing dimension to Roz’s world. Round thumbnails offer charming peeks into the island world, depicting Roz’s animal neighbors and Brightbill’s maturation.
A hymn to the intrinsic loveliness of the wild and the possibility of sharing it. (author’s note) (Picture book. 3-6)Pub Date: June 24, 2025
ISBN: 9780316669467
Page Count: 48
Publisher: Little, Brown
Review Posted Online: March 22, 2025
Kirkus Reviews Issue: April 15, 2025
The runaway cookie in this Mexican bakery is a soft, brown, stubby-tailed piglet as impertinently bold and smug in his continual escape as his Gingerbread Boy cousin. “Chase me! Chase me down the street. But this is one piggy you won’t get to eat! / ¡Córrele, córrele! ¡Y Córrele más! ¡Soy el cochinito que jamás comerás!” This bouncy dual refrain extends the familiar cumulative text, rendered in both English and Spanish, as piggy manages to elude Marta the baker, Lorenzo the mechanic, Mamá Nita the beautician, Joaquín the telephone repairman and a host of other neighborhood adults—until he is outsmarted by Rosa, a little girl on her way to school, who foxily “helps him” cross the street. Safely tucked into her backpack, piggy is both a welcome surprise and an excuse for Rosa’s lateness to class. Deep opaque acrylic paintings of a colorful barrio and its residents in pursuit add the right amount of cultural flavor to this vivid Latino retelling. Recipe appended. (Picture book. 3-6)
Pub Date: Nov. 30, 2010
ISBN: 978-1-55885-586-1
Page Count: 32
Publisher: Piñata Books/Arte Público
Review Posted Online: Sept. 24, 2010
Kirkus Reviews Issue: Oct. 15, 2010
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