by Carlos Ruiz Zafón & translated by Lucia Graves ‧ RELEASE DATE: April 12, 2004
The Shadow of the Wind will keep you up nights—and it’ll be time well spent. Absolutely marvelous.
The histories of a mysterious book and its enigmatic author are painstakingly disentangled in this yeasty Dickensian romance: a first novel by a Spanish novelist now living in the US.
We meet its engaging narrator Daniel Sempere in 1945, when he’s an 11-year-old boy brought by his father, a Barcelona rare-book dealer, to a secret library known as the Cemetery of Forgotten Books. Enthralled, Daniel “chooses” an obscure novel, The Shadow of the Wind, a complex quest tale whose author, Julian Carax, reputedly fled Spain at the outbreak of its Civil War, and later died in Paris. Carax and his book obsess Daniel for a decade, as he grows to manhood, falls in and out of fascination, if not love with three beguiling women, and comes ever closer to understanding who Carax was and how he was connected to the family of tyrannical Don Ricardo Aldaya—and why a sinister, “faceless” stranger who identifies himself as Carax’s fictional creation (“demonic”) “Lain Coubert” has seemingly “got out of the pages of a book so that he could burn it.” Daniel’s investigations are aided, and sometimes impeded, by a lively gallery of vividly evoked supporting characters. Prominent among them are secretive translator Nuria Monfort (who knows more about Carax’s Paris years than she initially reveals); Aldaya family maid Jacinta Coronada, consigned to a lunatic asylum to conceal what she knows; Daniel’s ebullient Sancho Panza Fermin Romero de Torres, a wily vagrant working as “bibliographic detective” in the Semperes’ bookstore; and vengeful police inspector Fumero, a Javert-like stalker whose refusal to believe Carax is dead precipitates the climax—at which Daniel realizes he’s much more than just a reader of Carax’s intricate, sorrowful story.
The Shadow of the Wind will keep you up nights—and it’ll be time well spent. Absolutely marvelous.Pub Date: April 12, 2004
ISBN: 1-59420-010-6
Page Count: 556
Publisher: Penguin Press
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 1, 2004
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by Carlos Ruiz Zafón ; translated by Lucia Graves
by Carlos Ruiz Zafón and translated by Lucia Graves
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by Carlos Ruiz Zafón ; translated by Lucia Graves
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by Carlos Ruiz Zafón ; translated by Lucia Graves
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More About This Book
SEEN & HEARD
by Kristin Hannah ‧ RELEASE DATE: Feb. 3, 2015
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
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BOOK TO SCREEN
SEEN & HEARD
BOOK TO SCREEN
by John Steinbeck ‧ RELEASE DATE: Sept. 19, 1952
But John Steinbeck, the philosopher, dominates his material and brings it into sharply moral focus.
Tremendous in scope—tremendous in depth of penetration—and as different a Steinbeck as the Steinbeck of Burning Bright was from the Steinbeck of The Grapes of Wrath.
Here is no saga of the underprivileged—no drama of social significance. Tenderness, which some felt was inherent in everything Steinbeck wrote, is muted almost to the vanishing point in this story of conflict within character, impact of character on character, of circumstances on personalities, of the difficult acceptance of individual choice as against the dominance of inherited traits. The philosophy is intimately interwoven with the pace of story, as he follows-from New England to California over some fifty odd years-the two families which hold stage center. There are the Trasks, brothers in two generations, strangely linked, strangely at war the one with the other; there are the Hamiltons (John Steinbeck's own forebears), a unique Irish born couple, the man an odd lovable sort of genius who never capitalizes on his ideas for himself, the tiny wife, tart, cold-and revealing now and again unexpected gentleness of spirit, the burgeoning family, as varied a tribe as could be found. And- on the periphery but integral to the deepening philosophy which motivates the story, there is the wise Chinese servant scholar and gentleman, who submerges his own goals to identify himself wholly with the needs of the desolate Adam Trask, crushed by his soulless wife's desertion, and the twin boys, Cal, violent, moody, basically strong enough to be himself—and Aron, gentle, unwilling to face disagreeable facts, beloved by all who met him. In counterpoint, the story follows too the murky career of Adam's wife, Cathy—who came to him from a mysteriously clouded past, and returned to a role for which she was suited—as a costly whore, and later as Madame in Salinas most corrupt "house," where the perversions of sex ridden males were catered to—and cruelty capitalized upon.Shock techniques applied with rapier and not bludgeon will rule the book out for the tender-skinned.
But John Steinbeck, the philosopher, dominates his material and brings it into sharply moral focus.Pub Date: Sept. 19, 1952
ISBN: 0142004235
Page Count: 616
Publisher: Viking
Review Posted Online: Oct. 5, 2011
Kirkus Reviews Issue: Sept. 1, 1952
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BOOK REVIEW
by John Steinbeck & edited by Thomas E. Barden
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by John Steinbeck & edited by Robert DeMott
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by John Steinbeck & edited by Susan Shillinglaw & Jackson J. Benson
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BOOK TO SCREEN
BOOK TO SCREEN
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