Fans of Jane Austen will appreciate this unconventional homage.
McGovern explores dating, disability, activism, and impending adulthood with a bow to Jane Austen.
When intellectual but shallow Emily witnesses the sexual assault of Belinda, a student with unspecified developmental disabilities, she can't react; an AP course load and the Youth Action Coalition haven't prepared her for "Real World Issues." She atones by doing community service at the Lifelong Learning Center for young adults with developmental disabilities. Belinda, a naïve romantic who takes her cues from watching Pride and Prejudice, copes with the aftermath by listening to Colin Firth. The gradual details of Belinda's assault are as minimal as popcorn but sharp against her matter-of-fact bewilderment, and the author handles such topics as boundaries, (lack of) support, post-traumatic stress, and disclosure gently. Jane Austen references abound as Emily's and Belinda's alternating viewpoints illustrate how braving the uncertainty of relationships, expectations, and life after high school transcends class or ability. Both girls learn to look past their respective prejudices, each with her own humor, and—à la Austen—each girl gets a guy. Unfortunately, the book's uplifting ending turns upon contrivances and risks making Belinda a prop for Emily's growth. Fortunately, Belinda is engaging in her own right, and the sensitive overview of tough issues gracefully balances romance with reality.
Fans of Jane Austen will appreciate this unconventional homage. (Romance. 14-18)Pub Date: Oct. 13, 2015
ISBN: 978-0-06-227113-6
Page Count: 384
Publisher: HarperTeen
Review Posted Online: June 9, 2015
Kirkus Reviews Issue: July 1, 2015
A classic rags-to-riches romantic comedy with irresistible chemistry and heart.
A surprise inheritance thrusts a small-town Nebraska teen into Manhattan’s elite society—and the orbit of a boy who’s determined to prove she doesn’t belong.
Julia Lowell’s life changes overnight when the 80-something man they know as Lou leaves his fortune to her family instead of his New York City relatives. Lou, who lived in a fishing cabin, was a regular customer of the Lowells’ small grocery store and became a family friend. To inherit, they must live in his Upper West Side home for at least six months, and Julia and her twin brother must attend Gardenwood Academy, a Gossip Girl–esque private school. Julia struggles to navigate her rude, privileged classmates—like Damion Rutledge. Unbeknownst to her, Lou—whose real name was Remington—was Damion’s beloved great-uncle. When a teacher assigns Damion to be Julia’s math tutor, he seizes the opportunity to search Uncle Remi’s house, which he believes is his by right, for evidence of the Lowells’ deceit. But as suspicion gives way to genuine feelings, Julia and Damion, who are cued white, question their assumptions about one another. Painter delivers her signature blend of banter, slow-burn chemistry, and emotionally grounded characters. Told in the leads’ alternating points of view, the familiar enemies-to-lovers setup is complicated by Damion’s secret and Julia’s past heartbreak. While the story follows a predictable path and resolution, the central relationship feels earned and heartfelt.
A classic rags-to-riches romantic comedy with irresistible chemistry and heart. (soundtrack) (Romance. 14-18)Pub Date: Sept. 29, 2026
ISBN: 9798347100217
Page Count: 416
Publisher: Simon & Schuster
Review Posted Online: Aug. 3, 2026
Kirkus Reviews Issue: Sept. 1, 2026
An ode to the children of migrants who have been taken away.
A Mexican American boy takes on heavy responsibilities when his family is torn apart.
Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.
An ode to the children of migrants who have been taken away. (Fiction. 14-18)Pub Date: May 4, 2021
ISBN: 978-0-7595-5605-8
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
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