Absorbing and electric.
Two women escape the mundanity of their New York City college lives to reinvent themselves in Berlin, leading to unexpectedly dark consequences.
At the end of their sophomore year, Zoe Beech and Hailey Mader are both ready to escape New York and the hypercompetitive culture of their art college, where the irreverent “sculpture bros” are universally worshiped and “the easiest way to dismiss a female’s work [is] by calling it domestic.” Zoe, though, is also spurred by a darker reason: the recent murder of her best friend, Ivy Noble, who’d been a dancer at Juilliard. Once at a study abroad program in Berlin, Zoe quickly grows close with her classmate Hailey, the magnetic, brazen daughter of a Midwestern supermarket-chain mogul. The two navigate their way through dark and isolating Berlin, waiting in hundred-person lines for exclusive clubs, attending insular gallery shows and art classes with fossilized professors, always slightly removed from the heart of the city’s social scene. Things shift, though, when they begin subletting an apartment from a creepy, enigmatic duo: Beatrice Becks, a helmet-haired mystery novelist, and her mother, Janet. In the perpetually dark apartment, the two become fixated with Beatrice; the more they sift through her “tax filings, photo albums and letters,” the more unsettlingly present she feels. As Zoe and Hailey compete socially and stumble their way through drug-filled parties wearing elaborate vintage costumes, they aim to live out the increasingly risky, brightly colored nights of their dreams, fueled by Hailey’s dictum that “art is what you can get away with,” no matter the cost. Henkel masterfully brings every inch of Hailey and Zoe’s world to life with her live-wire prose: German, for instance, sounds as violent as “a car being compressed into a cube.” But what truly pushes the plot forward is the obsessive, psychologically damaging friendship between Zoe and Hailey, which slowly leads them from a cocoon of insulated partying to a state of real danger: a finely negotiated shift. Though the book’s middle grows a little long and unwieldy, its specter of mystery is tantalizing and will keep readers captive till the final page.
Absorbing and electric.Pub Date: Feb. 1, 2022
ISBN: 978-0-385-54735-2
Page Count: 320
Publisher: Doubleday
Review Posted Online: Nov. 29, 2021
Kirkus Reviews Issue: Dec. 15, 2021
The story unfolds so irresistibly that newcomers may think Grisham’s been writing thrillers like this his whole life.
What hasn’t legendary legal eagle Grisham tried yet? How about a thriller about serial kidnapping and international terrorism.
When Paul and Chelsea Tanner disappear during a day trip on their Paris honeymoon, their abductors demand a ransom of $2 million from Chelsea’s wealthy parents, and a few days later the same sum from Paul’s much less well-heeled parents. After orthopedist Lowell Clayburn, Chelsea’s father, ponies up the ransom without breathing a word to the authorities, his daughter is promptly released. But even though Paul’s parents sell their home, liquidate their assets, and borrow money from the Clayburns to meet the kidnappers’ demands, the villains hold on to Paul anyway. Asked whether he’s ever seen such an outcome in a double kidnapping, FBI deputy director Andrew Strong tells Lowell: “No, this is a new one.” But it’s not, as Strong knows all too well; it’s the third such active case, all involving honeymooning couples whose bridegrooms had served in the armed forces. After masterfully drawing readers in with his bare-knuckle account of the Tanners’ abduction and the attempt by their families and the CIA to tell the lies required to keep caring friends and the rapacious press at bay, Grisham effortlessly switches gears to follow CIA agent Rae Claire Russo and Stuart Nash, a former Department of Justice prosecutor at Guantanamo Bay who agrees to marry her so they can serve as bait for the kidnappers, whose motives include justice and revenge as well as cold hard cash. So much for the imprisoned Paul’s wistful reflection that “hopefully, it was only about money.”
The story unfolds so irresistibly that newcomers may think Grisham’s been writing thrillers like this his whole life.Pub Date: Sept. 29, 2026
ISBN: 9780385550543
Page Count: 352
Publisher: Doubleday
Review Posted Online: Aug. 17, 2026
Kirkus Reviews Issue: Sept. 15, 2026
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
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