A provocative appreciation of neglected writers from a leading critic.
Transitioning into a “post-literate” society.
“The sacred bones of a literary culture [are] being ground into dust by technology and AI and many other distractions,” writes essayist Allen. To help remedy this decay, she offers a set of appreciative essays on canonical European and Anglophone writers, focusing on the personalities of writers and how fictional and historical characters interact to offer lessons in living lives of beauty. Many of her writers—Samuel Butler, Somerset Maugham, Osbert Sitwell, and Ogden Nash, among others—achieved success despite hardship or criticism. “Light verse used to be a vital part of American culture, high and low,” Allen writes in her essay on Nash. Why has Sybille Bedford never escaped her status as “one of the twentieth century’s most attractive literary curiosities?” How can the plays of Horton Foote teach us that “we are all orphans wandering alone through life, and the consolations of community and family are fleeting at best?” The more you read these essays, the more you are convinced that there is something wrong with you: Distracted by modernity, you have lost grace and humor in the face of, writes Allen, “our Robespierrean practice of cancellation.” Most of Allen’s writers remain products of their own time, with their own prejudices and foibles. Can we truly get past Patricia Highsmith’s misanthropy? Can we forget Sitwell’s politics? Is Truman Capote anything other than the self-caricature he became? Many of these essays originally appeared in venues noted for their highly curated conservatism: the New Criterion, the Wall Street Journal, Christianity Today. Published over the past 25 years, they offer a road map to a reader unhappy with the way the world has turned out.
A provocative appreciation of neglected writers from a leading critic.Pub Date: Nov. 3, 2025
ISBN: 9781966218128
Page Count: 242
Publisher: Tivoli Books
Review Posted Online: Oct. 25, 2025
Kirkus Reviews Issue: Dec. 1, 2025
A virtuoso performance and an ode to an undervalued medium created by two talented artists.
The veteran actor, comedian, and banjo player teams up with the acclaimed illustrator to create a unique book of cartoons that communicates their personalities.
Martin, also a prolific author, has always been intrigued by the cartoons strewn throughout the pages of the New Yorker. So when he was presented with the opportunity to work with Bliss, who has been a staff cartoonist at the magazine since 1997, he seized the moment. “The idea of a one-panel image with or without a caption mystified me,” he writes. “I felt like, yeah, sometimes I’m funny, but there are these other weird freaks who are actually funny.” Once the duo agreed to work together, they established their creative process, which consisted of working forward and backward: “Forwards was me conceiving of several cartoon images and captions, and Harry would select his favorites; backwards was Harry sending me sketched or fully drawn cartoons for dialogue or banners.” Sometimes, he writes, “the perfect joke occurs two seconds before deadline.” There are several cartoons depicting this method, including a humorous multipanel piece highlighting their first meeting called “They Meet,” in which Martin thinks to himself, “He’ll never be able to translate my delicate and finely honed droll notions.” In the next panel, Bliss thinks, “I’m sure he won’t understand that the comic art form is way more subtle than his blunt-force humor.” The team collaborated for a year and created 150 cartoons featuring an array of topics, “from dogs and cats to outer space and art museums.” A witty creation of a bovine family sitting down to a gourmet meal and one of Dumbo getting his comeuppance highlight the duo’s comedic talent. What also makes this project successful is the team’s keen understanding of human behavior as viewed through their unconventional comedic minds.
A virtuoso performance and an ode to an undervalued medium created by two talented artists.Pub Date: Nov. 17, 2020
ISBN: 978-1-250-26289-9
Page Count: 272
Publisher: Celadon Books
Review Posted Online: Aug. 30, 2020
Kirkus Reviews Issue: Sept. 15, 2020
PERSPECTIVES
A football star’s bracing account of his battle for racial equality—and how powerful forces arrayed against him.
A principled athlete strives for social justice.
Kaepernick forthrightly details the activism that earned him global renown but cost him his NFL career. In 2016, the San Francisco 49ers quarterback “was filled with disgust” after police shootings of fellow Black men in several American cities. Before a preseason game, he made a spontaneous decision: “It hit me in that moment that I should find a seat” during the national anthem. He did the same at two more games before reporters noticed. Kaepernick will forever be associated with “taking a knee” during the anthem, but he credits Eric Reid—a teammate who agreed with Kaepernick’s message—for suggesting that they kneel together during subsequent anthems. The protest changed everything for Kaepernick. President Trump vilified him. Kaepernick and his wife received death threats. And though he’d taken the 49ers to a Super Bowl, no teams would sign him. He will likely make news for his take on Jay-Z, whose lucrative partnership with the NFL was criticized as an attempt to launder the league’s reputation. Visiting Africa, where Kaepernick learns about “African leaders who willingly sold their own people to the enslavers,” he “couldn’t help but to think about Jay-Z and the NFL.” In opening chapters, Kaepernick recalls suffering traumatic racial abuse as a child. Being in “white spaces”—he was adopted by white parents—placed him “under a microscope every minute of every day.” He isn’t always nuanced, depicting some people he disagrees with as cartoonishly clueless. But his writing about how college and pro teams “lied” to him about injuries underlines his “feeling of being a disposable commodity.” A decade has passed since Kaepernick played in the NFL, but he stays fit in case “a team needing a QB” calls.
A football star’s bracing account of his battle for racial equality—and how powerful forces arrayed against him.Pub Date: Sept. 15, 2026
ISBN: 9781538777879
Page Count: 288
Publisher: Legacy Lit/Hachette
Review Posted Online: June 15, 2026
Kirkus Reviews Issue: July 15, 2026
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PERSPECTIVES
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