This format, which rarely devotes more than a few pages to any particular character or topic, results in a novel that skims,...
Told with second-person narration, Clark’s sequel to Maybe Tonight? (2013) returns “you” to your elite boarding school for your sophomore year of high school, as before ending chapters with Choose Your Own Adventure–style scenarios.
This type of “interactive” story often engages readers by forcing them to choose between two unfamiliar physical hazards for survival. The strangeness of the choices is often combined with threats of physical injury, creating tension as readers must debate about which option increases their survival odds. This effort also attempts to engage readers by requiring them to make similar choices to manipulate the plot. But unlike the physical challenges of many Choose Your Own Adventure stories, this novel tends to provide moral dilemmas that too often have a clearly “right” and “wrong” answer. Flirting with a married employer, riding with a drunk driver and abusing prescription medications can only realistically lead to negative consequences. By contrast, assisting a bullying victim and revealing a coach’s willingness to overlook student athletes’ unhealthy behaviors can only be rewarded. Though some readers will enjoy exploring various scenarios, others will quickly find the predictable results tiresome.
This format, which rarely devotes more than a few pages to any particular character or topic, results in a novel that skims, rather than explores, the pressures many high school students face daily. (Fiction. 14-18)Pub Date: April 15, 2014
ISBN: 978-1-59643-817-0
Page Count: 224
Publisher: Roaring Brook Press
Review Posted Online: Feb. 18, 2014
Kirkus Reviews Issue: March 1, 2014
A classic rags-to-riches romantic comedy with irresistible chemistry and heart.
A surprise inheritance thrusts a small-town Nebraska teen into Manhattan’s elite society—and the orbit of a boy who’s determined to prove she doesn’t belong.
Julia Lowell’s life changes overnight when the 80-something man they know as Lou leaves his fortune to her family instead of his New York City relatives. Lou, who lived in a fishing cabin, was a regular customer of the Lowells’ small grocery store and became a family friend. To inherit, they must live in his Upper West Side home for at least six months, and Julia and her twin brother must attend Gardenwood Academy, a Gossip Girl–esque private school. Julia struggles to navigate her rude, privileged classmates—like Damion Rutledge. Unbeknownst to her, Lou—whose real name was Remington—was Damion’s beloved great-uncle. When a teacher assigns Damion to be Julia’s math tutor, he seizes the opportunity to search Uncle Remi’s house, which he believes is his by right, for evidence of the Lowells’ deceit. But as suspicion gives way to genuine feelings, Julia and Damion, who are cued white, question their assumptions about one another. Painter delivers her signature blend of banter, slow-burn chemistry, and emotionally grounded characters. Told in the leads’ alternating points of view, the familiar enemies-to-lovers setup is complicated by Damion’s secret and Julia’s past heartbreak. While the story follows a predictable path and resolution, the central relationship feels earned and heartfelt.
A classic rags-to-riches romantic comedy with irresistible chemistry and heart. (soundtrack) (Romance. 14-18)Pub Date: Sept. 29, 2026
ISBN: 9798347100217
Page Count: 416
Publisher: Simon & Schuster
Review Posted Online: Aug. 3, 2026
Kirkus Reviews Issue: Sept. 1, 2026
An ode to the children of migrants who have been taken away.
A Mexican American boy takes on heavy responsibilities when his family is torn apart.
Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.
An ode to the children of migrants who have been taken away. (Fiction. 14-18)Pub Date: May 4, 2021
ISBN: 978-0-7595-5605-8
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
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