Wraps up the story arc with plenty of room to tell many more tales in this universe. Let’s hope Leckie does.
In the conclusion to Leckie's multiaward-winning trilogy (Ancillary Justice, 2013; Ancillary Sword, 2014), Fleet Captain Breq Mianaai directly confronts Anaander Mianaai, the interstellar ruler who blew up Justice of Toren, the ship that housed Breq’s consciousness.
The Lord of the Radch, divided as she is across thousands of bodies, is at war with herself. The more reactionary faction is preparing to invade Athoek Station, even while the Station is experiencing civil unrest; can Breq, her crew, and whatever allies she can gather overcome overwhelming odds and establish peace and a new social order? Leckie deliberately and deliciously flouts classic space-opera tropes. Rather than epic clashes between starships, there’s just one determined, embodied Artificial Intelligence with a very powerful gun, a stubborn space station, espionage, and some very persuasive talking. Leckie creates a grand backdrop to tell an intimate, cerebral story about identity and empowerment. She devotes as much attention to the characters’ personal relationships and their mental and emotional difficulties as she does to the wider conflict. What Leckie is saying is that individual people matter. Personhood matters, whether that personhood is expressed by an ordinary human, a sentient space station, a human raised by aliens, the remains of a spaceship AI inhabiting a human body that once belonged to someone else, or a 17-year-old whose previous personality was evicted by a ruling hive mind. Regardless of the situation in which one finds oneself, a person's right to be herself without interference is all that matters. And a small group of people can have a gigantic impact, with the right leverage. That message could so easily be hackneyed or too painfully obvious, but Leckie's delivery is deft and meaningful.
Wraps up the story arc with plenty of room to tell many more tales in this universe. Let’s hope Leckie does.Pub Date: Oct. 6, 2015
ISBN: 978-0-316-24668-2
Page Count: 368
Publisher: Orbit/Little, Brown
Review Posted Online: July 15, 2015
Kirkus Reviews Issue: Aug. 1, 2015
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
A fine novel for those who like to immerse themselves in alternative worlds.
Set in the future and reminiscent of The Hunger Games and Game of Thrones, this novel dramatizes a story of vengeance, warfare and the quest for power.
In the beginning, Darrow, the narrator, works in the mines on Mars, a life of drudgery and subservience. He’s a member of the Reds, an “inferior” class, though he’s happily married to Eo, an incipient rebel who wants to overthrow the existing social order, especially the Golds, who treat the lower-ranking orders cruelly. When Eo leads him to a mildly rebellious act, she’s caught and executed, and Darrow decides to exact vengeance on the perpetrators of this outrage. He’s recruited by a rebel cell and “becomes” a Gold by having painful surgery—he has golden wings grafted on his back—and taking an exam to launch himself into the academy that educates the ruling elite. Although he successfully infiltrates the Golds, he finds the social order is a cruel and confusing mash-up of deception and intrigue. Eventually, he leads one of the “houses” in war games that are all too real and becomes a guerrilla warrior leading a ragtag band of rebelliously minded men and women. Although it takes a while, the reader eventually gets used to the specialized vocabulary of this world, where warriors shoot “pulseFists” and are protected by “recoilArmor.” As with many similar worlds, the warrior culture depicted here has a primitive, even classical, feel to it, especially since the warriors sport names such as Augustus, Cassius, Apollo and Mercury.
A fine novel for those who like to immerse themselves in alternative worlds.Pub Date: Jan. 28, 2014
ISBN: 978-0-345-53978-6
Page Count: 400
Publisher: Del Rey/Ballantine
Review Posted Online: Nov. 2, 2013
Kirkus Reviews Issue: Nov. 15, 2013
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