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WHERE THE STEPS WERE

A delicate verse cycle gives readers a series of snapshots of the lives of five children in an inner-city school. Dawn is plump, and fearful of her volatile father. Kayla can’t read, and her brother is in jail. Carmen’s mother smokes like a chimney. Anthony shows up early every morning to help Miss D. Jonathan lives with his mother and little brother in a homeless shelter. They all know that at the end of the year, their school will close, and what little stability they have becomes all the more precious to them. Cheng’s free-verse poems give voice to the children, allowing them to speak their hopes, frustrations and fears; her powerful, blocky woodcuts accompany the poems, intensifying their emotional impact. She wisely avoids the temptation to craft the year into an obvious narrative arc: Things happen to the children—a class play, a visit to the farm, a parent’s illness—alongside the commonplace squabbles and reconciliations that punctuate any school year. Thus there is no rising or falling action, simply the opportunity to get to know these third graders as complete and distinct individuals. Quietly lovely. (Poetry. 9-12)

Pub Date: March 1, 2008

ISBN: 978-1-932425-88-8

Page Count: 144

Publisher: Wordsong/Boyds Mills

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 1, 2008

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LUNCH MONEY

Budding billionaire Greg Kenton has a knack for making money and a serious rival. When he issues his first Chunky Comic Book at the beginning of sixth grade, his neighbor and classmate Maura Shaw produces an alternative. Their quarrel draws the attention of the principal, who bans comics from the school. But when they notice all the other commercial messages in their school, they take their cause to the local school committee. Without belaboring his point, Clements takes on product placement in schools and the need for wealth. “Most people can only use one bathroom at a time,” says Greg’s math teacher, Mr. Z. Greg gets the message; middle-grade readers may ignore it in favor of the delightful spectacle of Greg’s ultimate economic success, a pleasing result for the effort this up-and-coming young businessman puts into his work. Clements weaves intriguing information about comic book illustration into this entertaining, smoothly written story. Selznick’s accompanying black-and-white drawings have the appearance of sketches Greg might have made himself. This hits the jackpot. (Fiction. 9-12)

Pub Date: July 1, 2005

ISBN: 0-689-86683-6

Page Count: 224

Publisher: Simon & Schuster

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: June 15, 2005

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BUILDING 903

A successful call for creating and imagining, even if the story itself falls short.

In the dystopian, totalitarian world of 2099, 14-year-old Tessa and her family are desperate to solve the mystery of her twin brother Theo’s disappearance.

Tessa is growing up in a time when playgrounds are historical relics, surveillance cameras are everywhere, music is outlawed, and owning books is illegal. Under the absolute rule of Zokiris, the decadeslong leader of her territory, people are heavily controlled. When Theo vanishes under mysterious circumstances and his name is erased from the Territory Statistics list, Tessa’s 135-year-old neighbor, Miriam, gives the family contraband books that become central to figuring out Theo’s whereabouts. Most books have long since been seized and stored away in Building 903; Tessa is intrigued by their presence in her home, while her mother is terrified. Lowry, the acclaimed, award-winning author of The Giver (1993), shines in her creation of uncomfortably believable dystopian societies. Tessa’s painfully limited world is fully imagined, with its own history, laws, and norms. Her relationship with her brother reads as realistic and tender and is crucial to the mystery. Miriam is the most strongly developed character: wise and independent, unafraid and hopeful. While the climb to the book’s climax is captivating, the hurried resolution is disappointing. The powerful messaging around the importance of literature and imagination certainly resonates, however. The main characters present white.

A successful call for creating and imagining, even if the story itself falls short. (Dystopian. 9-12)

Pub Date: Sept. 29, 2026

ISBN: 9780063515109

Page Count: 240

Publisher: Clarion/HarperCollins

Review Posted Online: July 6, 2026

Kirkus Reviews Issue: Aug. 1, 2026

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