A cheery Passover story, destined to become a holiday favorite.
How can matzoh go missing?
At the Cohen family’s seder on the first night of Passover, Grandpa Murray follows tradition and breaks the middle piece of matzoh into two. He wraps the larger piece—the afikomen—in a napkin and goes to hide it. Grandpa considers, then rejects, several places. When he hears his favorite word—soup—called out, he abandons his efforts, returning to the table. After everyone finishes reading the Haggadah and eats, the four grandkids hunt for the afikomen but have no luck. Grandpa Murray sheepishly admits he forgot the hiding place; Grandma Norma says it must be found so that they can finish the seder. Three grandkids continue searching, but one, David, hugs Grandpa consolingly. But what’s this? A cracking sound! It’s not Grandpa’s ribs; it’s the sound of matzoh, coming from Grandpa’s pocket! Afterward, per tradition, everyone eats some afikomen, and the seder ends. This warm, jocular Passover story is enlivened by crisp, spare cartoon illustrations, drawn with pen and ink; color was added digitally. Humorously, matzoh can be found throughout the book: The word matzoh on the title page is made from broken matzoh pieces, while the endpapers feature matzoh plus bowls of matzoh-ball soup. Even the onomatopoeic “KERR-ACK” issuing from Grandpa’s pocket resembles the titular food. Some family members are pale-skinned; some have light tan skin.
A cheery Passover story, destined to become a holiday favorite. (hiding the afikomen) (Picture book. 4-8)Pub Date: Feb. 11, 2025
ISBN: 9780063311183
Page Count: 40
Publisher: Harper/HarperCollins
Review Posted Online: Oct. 25, 2024
Kirkus Reviews Issue: Dec. 1, 2024
Halloween is used merely as a backdrop; better holiday titles for young readers are available.
A ghost learns to appreciate his differences.
The little ghost protagonist of this title is unusual. He’s a quilt, not a lightweight sheet like his parents and friends. He dislikes being different despite his mom’s reassurance that his ancestors also had unconventional appearances. Halloween makes the little ghost happy, though. He decides to watch trick-or-treaters by draping over a porch chair—but lands on a porch rail instead. A mom accompanying her daughter picks him up, wraps him around her chilly daughter, and brings him home with them! The family likes his looks and comforting warmth, and the little ghost immediately feels better about himself. As soon as he’s able to, he flies out through the chimney and muses happily that this adventure happened only due to his being a quilt. This odd but gently told story conveys the importance of self-respect and acceptance of one’s uniqueness. The delivery of this positive message has something of a heavy-handed feel and is rushed besides. It also isn’t entirely logical: The protagonist could have been a different type of covering; a blanket, for instance, might have enjoyed an identical experience. The soft, pleasing illustrations’ palette of tans, grays, white, black, some touches of color, and, occasionally, white text against black backgrounds suggest isolation, such as the ghost feels about himself. Most humans, including the trick-or-treating mom and daughter, have beige skin. (This book was reviewed digitally with 11-by-16.6-inch double-page spreads viewed at 66.2% of actual size.)
Halloween is used merely as a backdrop; better holiday titles for young readers are available. (Picture book. 4-7)Pub Date: Sept. 1, 2020
ISBN: 978-0-7352-6447-2
Page Count: 48
Publisher: Tundra Books
Review Posted Online: July 13, 2020
Kirkus Reviews Issue: Aug. 1, 2020
BOOK REVIEW
Only for dedicated fans of the series.
When a kid gets the part of the ninja master in the school play, it finally seems to be the right time to tackle the closet monster.
“I spot my monster right away. / He’s practicing his ROAR. / He almost scares me half to death, / but I won’t be scared anymore!” The monster is a large, fluffy poison-green beast with blue hands and feet and face and a fluffy blue-and-green–striped tail. The kid employs a “bag of tricks” to try to catch the monster: in it are a giant wind-up shark, two cans of silly string, and an elaborate cage-and-robot trap. This last works, but with an unexpected result: the monster looks sad. Turns out he was only scaring the boy to wake him up so they could be friends. The monster greets the boy in the usual monster way: he “rips a massive FART!!” that smells like strawberries and lime, and then they go to the monster’s house to meet his parents and play. The final two spreads show the duo getting ready for bed, which is a rather anticlimactic end to what has otherwise been a rambunctious tale. Elkerton’s bright illustrations have a TV-cartoon aesthetic, and his playful beast is never scary. The narrator is depicted with black eyes and hair and pale skin. Wallace’s limping verses are uninspired at best, and the scansion and meter are frequently off.
Only for dedicated fans of the series. (Picture book. 5-8)Pub Date: Sept. 1, 2017
ISBN: 978-1-4926-4894-9
Page Count: 40
Publisher: Sourcebooks Jabberwocky
Review Posted Online: July 14, 2017
Kirkus Reviews Issue: Aug. 1, 2017
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
© Copyright 2026 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
